Situated on the Dungog Common, this sculpture by Tarisse King brings her “Campsites” story to life in three-dimensional form. Australian Indigenous culture is well known for its nomadic lifestyle. Tarisse often reflects on the fact that her ancestors would constantly move from one campsite to another to find a better food and water source and for better shelter to suit the seasonal conditions. Her campsites story refers to her time spent travelling across the Northern Territory with her Father, and alludes to active and abandoned campsites, meandering rivers and small tributaries.

The use of metal in her Campsites sculpture reflects the enduring strength and resilience of Australian Indigenous culture, with its stories passed down through generations. Natural stone was chosen to deepen the story’s connection to the land, while the rusted finish evokes the ancient markings and long history these stories carry.

Born in Adelaide, South Australia in 1986, Tarisse is the daughter of the late William King Jungala, a highly influential Indigenous artist. She is of Gurindji heritage. Now residing in New Zealand and a mother of five, Tarisse continues to create, feeling a profound connection between past and future. The past offers history, stability, stories, and roots, while the future brings hope, change, and a sense of belonging to something deeply human.