“Inhabiting Change” explores the nature of impermanence, framing the present not as a static destination, but as a dynamic threshold between what was and what will be.

The images in this body of work originate in the landscape of South Western NSW: a reflection of both childhood memory and my evolving relationship with the region as an adult.

My process mirrors this continuous state of becoming. I begin with the unpredictability of hand printing, embracing chance marks and reduced control to form an initial visual language.

The final works emerge through physical reconfiguration. By tearing, combining, and sewing these printed elements, I mimic the way memory and land are constantly reshaped. The resulting pieces move beyond literal representation to evoke an abstracted familiarity, reflecting the reality that change is never a finished state, but an ongoing, transformative process.